Crime narrative topology – Part 3. Chapter 3

The evil of which I speak is the one that can cause physical, moral, metaphysical

Crime narrative topology – Part 3. Chapter 2

The essential intention of the crime story writer is to write a text whose backbone

Crime narrative topology – Part 3. Chapter 1

Let's go back to one of the many creative principles of literary narrative. The ‘zero’

Crime narrative topology – Part 2. Chapter 3

In view of its failure as a children's magazine, Argosy was aimed at an adult

Crime narrative topology – Part 2. Chapter 2

The first dime novel or Ten cent novel was Malaeska. The Indian Wife of the

Crime narrative topology – Part 2. Chapter 1

Already from the epigraph that Giardinelli puts to his book The Black Genre, we have

Crime narrative topology – Chapter 5

The fusion of which I speak comes from melting, fŭndĕre, melt and liquefy; flow, flŭĕre,

Crime narrative topology – Chapter 4 – Part 3

Semantically stretch, extend, unfold the language, the words chosen that will make up the story,

Crime narrative topology – Chapter 4 – Part 2

Write a story whose backbone is evil expressed through crime using narrative material drawn from

Crime narrative topology – Chapter 4 – Part 1

4. intentions When the writer stands before the blank page, lifted up by the beautiful